Field poppies — the vivid scarlet of Papaver rhoeas against their own soft grey-green foliage. Glen rendered this most universally recognized of wildflowers with the same botanical precision he brought to all his plant subjects: the crinkled tissue of the petals, the dark centre, the specific way the bud hangs before opening. The composition is warm and direct, the poppies given full presence against a soft background.
Glen's botanical studies include many of the best-known wildflowers alongside the obscure ones — the poppy required its own careful attention because its very familiarity makes it easy to paint from assumption rather than observation.

Listen to Glen's biography · 9 min
The full written biography is on the Biography page.
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Shared by our collectors
Glen's work has hung in homes for decades. Here are a few pieces where they live now, photographed by the collectors themselves.
“…brings to mind fond childhood memories walking with my father.”
Linda F.
“We love the print very much. A few years ago, we had a beautiful fox arrive at our home.”
Betsy B.
“I have so many fond memories of growing up with the wildlife prints that truly inspired imagination and made our house a home.”
Michael G.
A family collection, begun in the late 1970s
“I choose prints from here because of the incredible detail and he is a Canadian artist.”
Barb R.
“It's hanging beside a lake that has Loons. Nice setting.”
Christopher W.
“This piece really brings out their personality and looks great at my cottage.”
Anne G.
“I love your father's work and will be back again for more.”
Anne G.
“Looks great in the room, and compliments the colours and theme I am going for.”
Lynda H.