A single Canada Goose drops into landing — feet out, wings braking, neck craning forward over a stand of autumn cattails. This is a 1988 watercolour and one of Glen's finest single-bird compositions: the goose fills the upper half of the painting, the rush grasses below suggesting the wetland without cluttering the image. The motion is completely believable, the bird halfway between sky and ground, committed to landing.
Glen spent hours at marshes and wetlands across Ontario studying waterfowl behaviour — the specific geometry of a landing approach, the way wings cup air differently at the moment of touchdown. That field observation is what makes this painting feel witnessed rather than imagined.

Listen to Glen's biography · 9 min
The full written biography is on the Biography page.
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Shared by our collectors
Glen's work has hung in homes for decades. Here are a few pieces where they live now, photographed by the collectors themselves.
“…brings to mind fond childhood memories walking with my father.”
Linda F.
“We love the print very much. A few years ago, we had a beautiful fox arrive at our home.”
Betsy B.
“I have so many fond memories of growing up with the wildlife prints that truly inspired imagination and made our house a home.”
Michael G.
A family collection, begun in the late 1970s
“I choose prints from here because of the incredible detail and he is a Canadian artist.”
Barb R.
“It's hanging beside a lake that has Loons. Nice setting.”
Christopher W.
“This piece really brings out their personality and looks great at my cottage.”
Anne G.
“I love your father's work and will be back again for more.”
Anne G.
“Looks great in the room, and compliments the colours and theme I am going for.”
Lynda H.