-
-
Login
Preview this work in a styled room, or on a photo of your own wall. Works on your phone, tablet or computer.
Complimentary shipping, carefully packed and delivered to your door.
Our promise to you: if a piece doesn't feel right in your home, let us know and we will make it right.
A male Eastern Bluebird perches at the entrance of a hollow fence post, his female just inside — her eye visible in the shadow of the cavity, the nest below her. This is one of Glen's earliest and most intimate bird studies, painted in 1965 when he was already demonstrating the close observational eye that would define his career. The weathered wood of the post is rendered with the same attention he gave to the birds themselves — every grain, split, and rust stain observed rather than approximated.
The composition is exceptionally tight and focused — nothing unnecessary, no distracting background. Just two birds and the post that holds their life together. This early work shows the foundation on which five decades of celebrated wildlife art was built.
Listen to Glen's biography · 9 min
The full written biography is on the Biography page.
The format
Materials
View in Your Space
Imagine this work in your home before it arrives. Place it in a styled room, or on a photo of your own wall, and choose the size and frame that feel right.
Works on your phone, tablet or computer.
Choose a black or white wood frame. Each piece is framed by an expert framer with an archival 2-inch mat, protected under acrylic rather than glass, and arrives ready to hang with the wire attached and nails included.
Choose a black or white wood frame. Each piece is framed by an expert framer with an archival 2-inch mat, protected under acrylic rather than glass, and arrives ready to hang with the wire attached and nails included.
Shared by our collectors
Glen's work has hung in homes for decades. Here are a few pieces where they live now, photographed by the collectors themselves.
“…brings to mind fond childhood memories walking with my father.”
Linda F.
“We love the print very much. A few years ago, we had a beautiful fox arrive at our home.”
Betsy B.
“I have so many fond memories of growing up with the wildlife prints that truly inspired imagination and made our house a home.”
Michael G.
A family collection, begun in the late 1970s
“I choose prints from here because of the incredible detail and he is a Canadian artist.”
Barb R.
“It's hanging beside a lake that has Loons. Nice setting.”
Christopher W.
“This piece really brings out their personality and looks great at my cottage.”
Anne G.
“I love your father's work and will be back again for more.”
Anne G.
“Looks great in the room, and compliments the colours and theme I am going for.”
Lynda H.
