A bull moose crashes through a river — the massive body at full stride, water exploding from both sides, the palmate antlers still in velvet and already enormous. Glen's field notes at the lower left record the specimen: Alces alces andersoni, from Bon Echo, Frontenac district, Ontario, date October 6, 1939, acquired from the Department of Lands and Forests. The scientific context is part of the painting's identity — this is a specific animal from a specific place and time, painted with the authority of someone who studied the actual specimen.
The moose in motion is among the most technically demanding of Canadian wildlife subjects: the massive body at full gallop, the water dynamics, the antlers and head position all had to be exactly right. Glen got them right.
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Listen to Glen's biography · 9 min
The full written biography is on the Biography page.
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